The Phoenix Network:
 
 
 
About  |  Advertise

Search restaurants


Cuisine


Find Restaurants Near You


Page 1 of 3 | Play

Leftovers: Testing the enduring appeal of some of Boston’s old-school dining favorites

Add Comment

(required )  
(optional )
(required )  

Leftovers

Viewed: 1,393

 

Restaurant: Olives
Peak of It-ness: 15 years ago


I checked in first at Olives, which for a long time was one of the most critically-acclaimed and popular restaurants in town, but now meets with indifference from many once-ardent fans. (Olives failed to even crack the top 50 of Boston magazine’s recent local-restaurants ranking, a composite of reviews from Boston’s food critics.) How did the first smash hit from chef/owner Todd English, one of this city’s most successful and telegenic chefs, fall so far from the top of the heap?

When Olives debuted as a 50-seat, Charlestown storefront in 1989, English was the smokingest young chef on the scene. His take on rustic Italian cooking was creative, fresh, and full of bold, concentrated flavors. (Some critics carped about “too many tastes on the plate,” but I disagreed, adoring his dense, fiercely flavored compositions.) With its no-reservations policy, Olives had folks lining the sidewalk before the doors opened each night; two-hour waits for tables were common. It was a brilliant, deserved success.

English rapidly expanded, moving Olives to a larger location and opening Figs, Kingfish Hall, and Bonfire. He opened more Olives and Figs restaurants outside Boston — eventually adding another dozen restaurants around the world — and became a nationally-recognized celebrity chef. Despite the fact that he rarely has time to cook at the original Olives anymore, it still draws crowds, and now takes reservations. Out-of-towners often ask me to bring them there. They’ve seen Todd on Iron Chef America, or Cooking with Todd English on PBS, or read about the LA restaurant he opened with Eva Longoria. His celebrity is a powerful draw. I try to lower their expectations a bit, warning it’s unlikely that The Man Himself will be there, but we end up going just the same. Most of my guests are happy with it, but all of them are happy to be able to say they’ve been there.

But without English in the kitchen every night, the old can’t miss consistency is gone; the swoony perfection on every plate is no longer a certainty. On a recent visit, one appetizer was a delightful echo of Olives’ halcyon days: a luxurious, truffle-flecked, savory flan ($15) topped with fine wild mushrooms, foie gras, and a wondrously intense reduction of veal stock. Entrées were pretty good too, such as the slow-smoked, slow-braised lamb shank ($25) atop a rich root-vegetable mash, or the Flintstones-esque wood-grilled pork chop ($30), so moist it must have been brined. But the chop arrived overdone, and a tagliatelli bolognese appetizer ($11) was a real disappointment, oversauced with a ragù that tasted too strongly of cinnamon. You just never saw misfires like that in the old days, when the boss was always on-site.

Another change is that the menu has become much more accessible. One of my joys in the early days was English’s ability to integrate culinary exotica into tantalizing new dishes: it was a rare occasion when we weren’t trying some unusual ingredient for the first time. It’s now possible to order a football-sized mound of deep-fried onion strings ($8). While it shocks me to see that in the restaurant that won English two James Beard awards, it’s a simple, comforting dish that makes people happy. He hasn’t been afraid to broaden the restaurant’s appeal — this and his celebrity-chef status are probably what keep locals and tourists coming back in spite of the hit-or-miss food and service.

 

Share:
| More
advertisement